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Raymond Antrobus
‘The book we all needed to read’ … Raymond Antrobus. Photograph: Adam Docker
‘The book we all needed to read’ … Raymond Antrobus. Photograph: Adam Docker

Raymond Antrobus becomes first poet to win Rathbones Folio prize

This article is more than 4 years old

The Perseverance, using the writer’s experience of deafness to explore human communication, was praised by judges as ‘exceptionally brave and kind’

Raymond Antrobus has become the first poet to win the £30,000 Rathbones Folio prize, taking the award for his “exceptionally brave and kind” exploration of the deaf experience, The Perseverance.

The Jamaican-British spoken-word poet, who was diagnosed as deaf at the age of six, was up against seven other books. The prize is intended to reward “the best work of literature of the year, regardless of form”, and this year’s shortlist included Diana Evans’s Women’s prize-shortlisted novel Ordinary People, and Ashleigh Young’s collection of essays Can You Tolerate This?. But in the end, judges said the Antrobus’s poems, which move from his childhood diagnosis to his late father’s alcoholism, edged ahead of close contender Mary Anne Sate, Imbecile, a verse narrative by Alice Jolly.

Chair Kate Clanchy said: “We chose eight books we loved, in different genres, and deciding between them was painful. In the end it came down to two books and a tense vote.”

Clanchy described Jolly’s book as “a feat of voice: the story of a 19th-century servant told in short lines which jag down the page like stitches or epitaphs – a startling, original work of remembrance”.

But Antrobus’s The Perseverance came out on top. “It seemed, in our atomised times, to be the book we most wanted to give to others, the book we all needed to read,” said Clanchy. She described the collection as an “immensely moving book of poetry which uses his D/deaf experience, bereavement and Jamaican-British heritage to consider the ways we all communicate with each other”.

Born in Hackney in London, Antrobus was initially considered to be dyslexic with severe learning difficulties until his deafness was eventually diagnosed, an experience he writes about in his poem Echo: “And no one knew what I was missing / until a doctor gave me a handful of Lego / and said to put a brick on the table / every time I heard a sound. After the test I still held enough bricks / in my hand to build a house / and call it my sanctuary.”

“It wasn’t until the phone rang while I was sitting in my mum’s kitchen one day that she realised I was totally oblivious to the shrill, high-pitched sound. This changed the pathology on my school reports from ‘slowness’ to ‘deafness’. It’s our first seven years of life that are vital for our language acquirement, most of which comes from what we pick up through hearing,” Antrobus wrote for Poetry Magazine in 2017. “Why have I turned to poetry to publicly explore this? Because poems are careful things – if done well, every sound and word has something to carry. My poems are Deaf poems because they are defiant in how they take up space on the page, not searching for loss, but for something gained.”

The Perseverance also includes an entirely redacted poem by Ted Hughes, titled Deaf School, which contains the lines: “Their faces were alert and simple / like little animals, small night lemurs caught in the flashlight.” In a poem in response, Antrobus writes: “Ted is alert and simple. / Ted lacked a subtle wavering aura of sound / and responses to Sound.”

“When I read that poem, my response was intense anger. I realise that to be able to find a way into my poem it had to begin with crossing out the old one. It’s significant that he is renowned as one of England’s greatest poets, and he went into a space, had an interaction with people he did not understand and felt the need to write this,” Antrobus has said.

In March, Antrobus won the Ted Hughes award for poetry, when he was described by judges as a writer who is “passionate but speaking from his scars not his wounds – this is a poet you sense very deeply that you can trust”. Published by small press Penned in the Margins, The Perseverance has also been shortlisted for the Griffin prize, the Jhalak prize, and the Somerset Maugham award.

The Folio, which was initially set up as a fiction prize to challenge the criteria of the Man Booker but has since been opened up to non-fiction and poetry, has been won in the past by titles including Hisham Matar’s memoir The Return, and George Saunders’s short-story collection Tenth of December.

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